The last Comic Spot radio show! The first Homecooked Comics Festival!

No no no, say it ain't so!

But it is so - The Comic Spot, the fortnightly Australian comics hour on radio station 3CR, is coming to an end!  John Retallick: the mover, the shaker, the anchor, the rock, the organiser and motive force behind the show, is moving to Hobart (lucky Hobart!). As John says on the blog, The Comic Spot may well take on another form in the future, but this is the end of Volume One.

BUT in an amazing coincidence, the last show will be the first one we record in front of an audience! Yes, this Saturday, 28 January 2012 is The Homecooked Comics Festival to be held at (of course) Batman Park in Northcote, at the corner of Separations Street and Saint Georges Road.

The festival, presented by the City of Darebin, features a great line-up of events from 3 - 7pm, and the final Comic Spot 3CR show with your hosts John, Jo and Bernard will be recorded there and go to air next Thursday 2 February at 5pm on 3CR, 855 on your AM dial. The shows get podcast as well, so go to the blog to find an interview with the Australian comics creator of your dreams.

And come along to the Homecooked Comics Festival this Saturday and help us celebrate the great years of the Comic Spot radio show, to meet comics makers, hear comics music, see kamishibai, and make your own comics: it's going to be a grand day!

Homecooked Comic Festival Program
Main Stage

3pm: Welcome by Darebin City Council’s Mayor, Cr Steven Tsitas.

3.10–4pm: The ComicSpot Podcast.

4.10–4.50pm: Comic/Musical Mashup.

5-5.30pm: Live music by Squid Squad.

5.30–6pm: The Allen & Unwin Quiz Show.

6.30-7pm: Live music by Animaux.

Roving

4,5,6.30pm: Fight Choreography Workshops.

3-5pm: Kamishibai (Japanese paper drama).

4.30pm: Express Media Workshop.

5.30pm: Sticky Institute Talk.

6pm: The greatest comic book parade!

All day entertainment- Newspaper in a day, tattooing, face painting, giant panel painting.

Melbourne Writers Festival - August 2011

Once we got back from GRAPHIC up in Sydney, it was time for the Melbourne Writers Festival in Melbourne.  This festival has had more and more comics content over the last few years, which is great to see, and above you can see me, Pat Grant and Mandy Ord talking about graphic novels in general, and their ones in particular, as part of the MWF schools program.

Also for the schools program, I presented a kamishibai session at Artplay, in which I spoke about the form and told 3 kamishibai stories: a new one, 'A Box of Stories' (a kamishibai kamishibai); the Fuji snail story (from 'What It Is' #4), and my very first story, 'The Legend of Rat Boy'.  In the lead up to this session, Michael Shirrefs on ABC Radio conducted an interview with me about kamishibai and even filmed (for radio!) the Fuji snail story - and that's all here.

There were cartoonists drawing live outside the National Gallery, there was the launch of a beautiful new comic book from a new-to-comics book publisher (more about this next post), there was a session with the great and terrible Jim Woodring (and anybody who has heard him talk about 'the Age of Cake' will know what I'm talking about here), there was of course the Oslo Davis-edited comics newspaper 'Drawn From Life' and there was the 'Martin Martini In(k) Concert'.  Hoo hah!

This last was at the venue The Toff in Town, where Martini and band played a suite of songs from his 'Vienna 1913' cycle (of which I am a big fan), while Jim Woodring -

- and a rotating cast of three fine local cartoonists -

- Pat Grant, Andrew Weldon and Jo Waite - kept drawing live while the band played on.  The audience got to listen to music and look at pictures:

Yes, it's some sort of bliss, as this crowd of cartoonists shows.  The idea comes from the Angouleme Comics Festival in France, where Mike Shuttleworth had seen some 'Concerts du Dessins' (Drawing Concerts) in January of this year and come back to rave about them to Steve Grimwade, the director of the Melbourne Writers Festival and a hoopy frood who really knows where his towel is, to boot.

Photos in this post are courtesy of Dan Hayward and Stephen Elliott, cinematographers supreme!

What It Is? #4 episode

Well well well, in amongst a remarkable period of comics events in Melbourne and Sydney, here is a reminder of the fourth and final 'What It Is?' comics conversation/performance evening at Readings bookshop in Carlton on Monday 25 July 2011. As mentioned in a lower post, my collaborator on this one was the wonderful Mister Martin Martini, who this Sunday just gone provided the live songs for an incredible concert for the Melbourne Writers Festival at The Toff In Town where cartoonists Pat Grant, Jo Waite, Andrew Weldon and Jim Woodring drew live as the music played!

Zowee, baby!

The footage above shot and edited by Daniel Hayward, with whom I am working on a feature documentary with the working title: 'Graphic! Novels! Melbourne!'  Ahh, it's good to be alive...

Kamishibai, out and indoors

So I've talked a bit about kamishibai, the Japanese art of paper theatre, elsewhere on this blog. Above, the inestimable and highly esteemed Bruce Woolley and I rehearse the story, 'A Very Kamishibai Christmas', which we co-created and first performed in December 2010, and here are getting ready to perform it at Chugnut in March 2011. Chugnut (a weekend away for cartoonists of many stripes) this year, as last, was held at Camp Eureka near Yarra Junction.

One of the distinctive things about 'A Very Kamishibai Christmas' is that there is no narration or dialogue (well, okay, there's two words - yelled), and so the attention of the performers - and hopefully audience - is even more directed at the rhythm of the reveals of the cards. The music of comics, kids.

Of course such playing with the kamishibai form wouldn't even occur to me without the fine guitarship, and even finer friendship, of Bruce Woolley.

(Chugnut photos by Anna Brown, whose astonishing gallery of Australian comics volk, paired with their drawn self-portraits, is called Light vs Line.)

After 'A Very Kamishibai Christmas', I performed the kamishibai produced by Jo Waite ('The White Crow'), Ben Hutchings ('Jupiterian Brain Theatre') and Chris Downes (MR James' 'The Mezzotint') for the 2010 Melbourne Fringe Festival Paper Theatre exhibition. Bernard's t-shirt also by Jo Waite.

A month or so later, on April 11, just before Bruce returned to Berlin by way of Sri Lanka, he and I performed the new epilogue to our 'Miracleman: the two man show' at Fleur's place (thanks Fleur!). This epilogue of course incorporated kamishibai, and attempted to bring the incredibly complex questions of ownership and copyright of 'Miracleman' into our show. Later, from Dohar, Bruce sent me this doctored picture, which I think is an excellent title and image:

In case you're wondering: yes, Bruce IS playing the iPad piano and piano accordion simultaneously. And for a closer look at what's on the teevee, go here.

Next post: more kamishibai.

Footnote: for Free Comic Book Day 2011, the Chugnutteers, under the expert guidance of Mister Anthony Woodward, have produced an online book chock full of fine work, findable here. For FREE.

Vale, Ralph McLean 1957 - 2010

Today in the hot sun at La Mama theatre in Carlton we farewelled a true member of Fitzroyalty, Ralph McLean. I have got to know Ralph over the past couple of years doing comics reviews on 'Yartz', the weekly arts programme that he began in 2000 for the community television station Channel 31. On Saturday afternoons a group of folks would arrive at his bedsit in Little Gore Street in Fitzroy and through a haze of cigarette smoke and snappy dialogue, Ralph would pull together a review and interview show about the arts in Melbourne.

There were some euphonious eulogists today - the service was delivered by Liz Jones, the grand wazoo of La Mama, and above, Francis Italiano, these days of Perth but once upon a time, and for eight years, Ralph's partner, spoke warmly of his time with Ralph. When some people would refer to Francis as Ralph's 'handbag' (ie when Ralph brought him along to shows), Ralph would correct them:

"He's not a handbag. He's a mink stole."

Above, on the left, Misha Adair, who spoke on behalf of the Yartzers, with Ralph's principles of 'making stuff' mysteriously appearing on his pin-striped suit. On the right, Scott Gooding, who had organised an extravaganza of 'Yartz' footage that screened on a monitor inside La Mama, which you could go and see before and after the service. Nice work, Scott.

Hermione Gilchrist also spoke beautifully about Ralph, and has blogged about him, with 'Yartz' footage embedded, here.

After the service and a beer with Mary Anne, who is my mum and one of the 'Yartz' theatre reporters, I cycled off through Fitzroy to community radio station 3CR on Smith Street in Collingwood, where I met John Retallick and Jo Waite and together we went to air with the last 2010 show of The Comic Spot. It was the round-up of the year, which has been a pretty remarkable one for Australian comic books.

After the show, we repaired to the Union Club Hotel, Ralph's local and the site of his wake, which was still going, where we drank traditional post-show G&Ts and laughed traditional post-show laffs.

Huzzah for community broadcasting, and huzzah for you, Ralph McLean, and all that you gave to the arts in Melbourne.

It was an honour to know you and work with you.

Kamishibai in North Melbourne

Tonight begins a great experiment conducted by Jo Waite and I, with the willing collaboration of three other great comic book people: Ben Hutchings, Sarah Howell and Chris Downes.

All four of the abovenamed are producing a kamishibai (or 'paper theatre') story (a series of pictures which tell a tale) and they are being exhibited in the window of Kids in Berlin (472 Victoria Street North Melbourne) as part of Melbourne Fringe Festival 2010. They will be there from Tuesday 28 September to Sunday 10 October.

This is the fourth Fringe comics exhibition which Jo has curated and I have produced.

(above image by Jo Waite)

On each of the Tuesday nights (today the opening 28 September, October 5 and 12), from 6 - 8pm, I will perform each of the stories and hand out Japanese lollies.

Come along!

Caleo comics media empire expands!

Tonight on TheComicSpot we had a special mystery guest, Joseph Ross Bamford Caleo, in his comics review radio debut - he talked about the Captain Congo series (he's a fan) and even suggested a Kid's Tango -hey lad, not a bad idea at all...

John, Jo and I then talked to Anna Brown about her very interesting 'photographing Australian comics artists' project.

And we spoke with 'El Presidente' of the Australian Cartoonist's Association Jules Faber, who announced the new 'comics' category of their annual Stanley Awards - very exciting! You need to be a member to be eligible, so join up. I am! I think this is a pretty exciting moment - 'single-panel and strip' (ie newspaper) cartoonists are extending a warm hand to 'comic book' cartoonists - let's take it and shake enthusiastically! Also, the next Stanley Awards ceremony is in Melbourne in early November, and those parties are the stuff of legend.

So join the ACA and let's get some great comics mixing it up with some great cartoons.

Thursday 22 April, day 4 Dylan Horrocks Masterclass

Behind? What do you mean, I'm behind? Oh, so it's three and a half months after the event and you're wanting to know why it's taken me so long? Well., you see, it's like this --

LOOK!

OVER THERE!

BEHIND YOU!

Oh, nothing there? Well, as I was saying, the fourth day of the Dylan Horrocks masterclass at the Wheeler Centre in late April began with Jo Waite removing small leaves from my hair and glue sticking (or 'baton de colle'-ing) them into my sketchbook, where I was continuing to work on the story...


Wednesday's questions had been deep dark ones, and Thursday's were higher, and lighter, but no less vital:

What do I love about making comics?

What do I love about my own comics?

Me I love inking, and I love finishing a page. I love it when my drawings start to dance, that is when they start to live on the page, as ink on paper.

Who knows, maybe we would have answered these questions more flippantly without the 'rockbreaking' of the day before.

Anthony Woodward had more questions:


And his then-fellow Ballarattian, now-On-The-Road Mel Rowsell, had these things to say about making comics and looking at her own comics:



Later Dylan talked to us about a sequence that he put in at the end of his big comic book Hicksville, which he included as his (and thus the reader's?) farewell to the book and its world.


One of our show-and-tells this afternoon was Pat Grant, who staggered us with double page spreads from the graphic novel which is also his PhD.


General Pat Ulysses S. Grant shows us how simple it would be for the 10 of us to storm Parliament House.



Mirranda Burton had been busy earlier in the day (amongst other things, she was being contacted by the FUMETTO international comics art festival in Switzerland to be told she had won a prize for her comic 'P.S') but she arrived later to give these great statements about what she loves about comics.



Tim McEwan was getting pretty unshaven by this stage of the week (Interestingly >>> namedrop namedrop>>>) Tim and I were having a drink at the Neil Gaiman afterparty at the Sydney Opera House last Saturday night and he was talking>>> BIGGER namedrop >>> about seeing Will Eisner and Jim Steranko at the Opera House in 1985 when he was in Year 11, which makes Tim -GHASP!!!- a year younger than me!)

AS soon as the masterclass finished for the day, Jo Waite and I spirited (a-HA! See what I did there, Eisner fans?) Dylan away for a chat on yours and mine favouite comics radio show (and podcast) TheComicSpot.


It was a great interview (well I thought so) and you can now listen to it here)

Then it was back into the city to meet the rest of the masterclass gang, and assorted other Melbourne comics folk, at, well really there was only one restaurant that could possibly have housed us all:

Gaylord.


The aforementioned Tim McEwan, his stubbly chin, and a Kingfisher beer. And oh, what's that? A Trevor Bovis drawn onto the linen tablecloth designed to outrage not only the waiting staff but also the attending vegetarians?


I think so.


Finally, a whole lotta comics makers at a table. That's Kirrily Schell front right in front of me, then Dylan, John Retallick, Chris Downes, Tim McEwan and Mirranda Burton. On the left Mel Rowsell, behind her Jo Waite (doing I think some sort of manga sign language), a fuzzy David Blumensteain, a totally obscured Sarah Howell, Anthony Woodward and Neale 'Beautiful Artform' Blanden.

Next (or rather, In Some Time): I WILL get around to blogging Day Five, not my favourite day of the masterclass - Thursday or perhaps Wednesday were that - but the last day, and thus important.

In fact next will be a little GRAPHIC and then me on tour in country Victoria as long-dead Prussian naturalist, Wilhelm von Blandowski.

A Word or Two on Curriculum

So. Day Two. The drawing day. But how, you're asking, how does a comics masterclass GO? How does it run? What happens? Well, in general we'd get to The Wheeler Centre each day at about 9.30am, collect our wits and our morning beverage of choice, then have a chat for about an hour or so, led by Dylan. On this morning he had a slide show (or power point as the young people call them) to show us, of many of his drawing influences.

We'd got a bit of an inkling of this on the Monday, but on the Tuesday Dylan confirmed that yes indeed, he is

That is to say, he is very interested in comics at the point at which they break down, at which they don't work, at which they betray their makers' blind spots. It's an interesting idea and line of enquiry: that the fault lines in an artwork point towards the heart and the humanness of the creator, their fallibility and their shadow. It's a picture of the artist as vulnerable to, rather than as master of, their work.

On some mornings the talking would be followed by an exercise. So it was this morning: we'd been talking about drawing and Dylan suggested we do some life drawing. Rats, I thought, in my organiser mode, I HAD thought of getting a life model in but had jettisoned it from the plan about a month previously.

Luckily it turns out that you don't need a life model if the New Zealander in the room doesn't mind standing still for 2 and 5 minutes at a time. Dylan gave us itty bitty bits of paper (were they A7? A8?) and we drew him. Appropriately for a room full of cartoonists, they were about the size of a comics panel...

The mutt above ain't Dylan, but was lifted from a couple of pix that Dylan showed us from Rudolphe Topffer, the early 19th century schoolteacher and comics pioneer.

It was certainly a week of great t-shirts. Andrew Fulton was wearing this one on Tuesday. It was sort of a warning for the discussion that we were going to have on Wednesday morning.

After a chat and some work, clearly you're going to be hungry and clearly it's around lunchtime, so it's time to head out and grab a bite. Luckily the Wheeler Centre is right next to the QV Centre on Little Lonsdale Street and I quickly discovered the sweet and crazy delights available from Bread Top - deep fried donut anyone? And because the weather was warm you could then sit out on the QV's octagon of fake grass and talk, well talk comics with the other masterclassers.

Upon our return in the afternoons, we'd start in on working on the projects that we had on the go at the time - the idea here was that the masterclass time wouldn't be taking away from valuable drawing/writing time but adding to it.

This particular afternoon, we'd been asked by Anna at the Wheeler Centre if it would be okay if a crew from the ABC TV show 'Stateline' could come in and do some filming to go to air on Friday of that week to promote that weekend's talks/focus on graphic novels, 'Drawing In, Drawing Out'. The masterclass gang graciously agreed, little knowing that one of the crew would be part of the Australian comics world:

(you might need to click on the page above to get it to a readable size)

Yep, Stuart Thorne - Tony Thorne's brother, and writer of some strips from the great Melbourne-based FOX comics anthology from the 80s. Check out 'All Men Are Bastards' on this page from Tony's rather magnificent blog.

Once the press had left and we'd got back to our fart jokes and rude drawings, it was time for Show and Tell. Each afternoon tea time, two folks in the room would get up and talk about their work, show some pictures and speculate on where they were going with it. When we were constructing the program for the week, this seemed like a good 'extra bit' for each day, but in the week itself, these sessions were amazing - revealing and very important, for the artists du jour and for the others of us there, to question, appreciate and suggest.

Above, light floods the room and our consciousnesses, as Jo Waite unfurls her incredibly detailed street map for the town of Maversham.

Above: Chris Downes, Andrew Fulton, Mirranda Burton, Tim McEwan, Jo Waite, Dylan Horrocks and Mel Rowsell huddle around some more of the art from Jo's 'maximum octopus' (I think that's how she describes it), '*Lucky'.

NEXT: Wednesday. The horror, the horror...

Comics Masterclass, Monday: Writing

WAITaminnit, that's Sam Zabel, a Dylan Horrocks character, drawn BY Dylan Horrocks on a whiteboard in Melbourne's Wheeler Centre (books, writing, ideas), under the word 'writing'. Just how do these sorts of things come to be? Well, THIS thing started with Liz Argall, an Australian comic book writer currently living in Portland, Oregon in the U.S, (an area apparently swarming with cartoonists) nudging me and saying "Hey, we should get some really great comic book person to come to Australia and give a masterclass. Let's apply for some funding from the Copyright Agency Limited Cultural Fund." And I asked Dylan, and he was keen, so apply we did, and award it they did (thanks CAL!) and on the 19th of April 2010 at 9.30am in the Board Room of the Wheeler Centre, the week-long masterclass began.

Our roll-call: Tim McEwen, Michael Camilleri, Jo Waite, Andrew Fulton, Anthony Woodward, Chris Downes, Mel Rowsell, Bernard Caleo, Mirranda Burton, Pat Grant.

I know.

Above, Michael Camilleri (always focussed), Jo Waite on the move, the back of the well-groomed Tim McEwen's head, and Dylan Horrocks.

On that first morning we all gave a sort of a run-down, you know, 'my life in comics' sort of thing. Dylan went first, told us about his comic 'Pickle' that came out in the 90s, his graphic novel 'Hicksville' that came out of that series, and how the subsequent experience working as a comic book writer for DC Comics almost totally squished any love for comics out of him.

Luckily though, he stopped writing for DC and, as he said

to making his own comics.

Phew. We all shared stories, then got onto talking about the ways that comics stories and comics worlds get built, imagined, drawn, and actually probably LAST of all get written. Pretty interesting stuff.

Above, Anthony Woodward talks about comics writing with Jen Breach, a comics writer who joined us just for that Monday morning.

Below, Michael Camilleri shares some advice once given to him by a Russian actress.

Very sage.

NEXT: Tuesday - drawing!

Two Tangos: too much?

Well, it's been a month and a half or so since the big double Tango launch, and it's time to have a bit of a look back at that night and more generally at doing two big books in the one small year.

Night of the launch, 10 December 2009, making some comment that's making Mirranda Burton wince. Probably a pun.

Photo: Peter Jetnikoff

At this point I can say that I'm very proud of both books, but I have to admit that by the time Tango9 rolled around, rose up on its haunches and became the 350 page behemoth that it is today, it had outgrown my capacity to handle, muzzle, or restrain it. The sheer volume of pages and number of contributors flipped a switch somewhere in the tiny tinny little administration centre in my noggin. Mistakes were made. (And still are: only yesterday Greg Holfeld, author of the excellent 'Homefront' (page 124), emailed to say, "Um, could I please have my contributor's copy?" Oh, gosh.)

But the most significant errors on my part were to leave out stories which I had said were in. Yes, that's right. Two stories had been selected for the book, the authors informed, and then, in the utter madness of the final book assembly, I ... misplaced them. One of these, 'Interview with the Dictator's Mother', was a collaboration between Mark Scillio and myself (yep) - I realised it was missing the night before we went to press, and couldn't at that point change things. With the other story, Justin Woolley and Brendan Hayday's 'In the Trenches', it was only on the night of the launch, that this situation was revealed. To these three gentlemen, Mark, Justin, and Brendan, I offer my sincere apologies - I am terribly sorry. What happened with your stories was really the opposite of what I set up Tango to do.

But here's the silver lining: both stories are now available to be read on the Tango9 page on the Cardigan Comics website, here. Thanks to Justin Caleo for making this happen.

Hey look! It's dapper Neale Blanden!

Photo by Peter Jetnikoff

And thanks to brother Luke, it's now possible to buy Tango via Paypal on the website, here. Tango9 sells there for $25 and earlier Tangos for $10, and hey, psst! If you've ever wanted to fill in a hole in your Tango shelf or even if you just have fingers that twitch for a bargain, I'd get in now and make a purchase before I work out how to add a postage amount there.

That's right Tango fans: get in quick while you can, and order your books postage-free!

Animated David Blumenstein and Jovial Jo Waite, skylarking.

Peter Jetnikoff took the picture

And hey. Let's not forget that other fine Tango of last year, 'The Tango Collection'. It has not escaped my attention that having two of us (viz: Elise Jones and I) working the editorial angle of that book meant that it worked out a lot more smoothly. And yes, you're right, it's published, marketed and distributed by Allen and Unwin, too, (all of which is magnificent) but I'm focussing on the administrative aspect here, and I'm thinking that for 'Tango10: Love and Music' (planned for 2011), I will assemble an editorial team...

ANYway, if you're a Melbournite, you should really buy The Age this Saturday (all 16 kilos of it) and open the A2 section and check out the 'Books' section: the word on da street is that there will be a review of 'The Tango Collection' there. Please, stain it with coffee and croissant crumbs, for me.

And cry huzzah!

Finally, himself. Peter Jetnikoff, I think photographed here by David Blumenstein, next to a copy of Peter's biography and his portrait from 'The Tango Collection'. The rest of the group of photos of the launch from which the ones in this post were selected can be found here.

And there we go!

There's the wonderful Jo Waite, curator of the exhibition 'Ugly, Drunk and Stupid' that she, and I, and Matt, and Susan, and Rose, and Joseph, and Georgia, and Zebedee, took down yesterday at the Town Hall Gallery at the Hawthorn Town Hall.  And next to her is Mr Smiley, who Jo drew and was our exhibition mascot.

Mardi Nowak, who's the curator of the space and a great booster for local zine and comics culture, took a whole bunch of photos of the exhibition, and of the 'Ugly Draw-Off' comics jam that we held on Saturday arvo after I gave a talk about the Ugly Tradition in comics art, focussing on Basil Wolverton, Ralph Steadman and Peter Bagge: a great discussion, much drawing, and, yes, sherry drinking ensued.

Thanks Mardi!  See you at next year's Fringe comics exhibition, eh?

The return of 'The Comic Spot'

Look! Up in the sky! It's the smog! No, it's... The Comic Spot!

Yes, Melbourne's favourite comic book radio show is back on air...

John Retallick, the main mover and shaker, has returned to the studio with Jo Waite and Bernard Caleo, his faithful chorus, and a new timeslot for 'The Comic Spot':

last Thursday of every month, 5 -6pm, on 3CR, 855 on your AM dial.

http://www.thecomicspot.blogspot.com/

On Thursday 24 April we talked to the splendiferous, black-ink-stain-handed Mandy Ord (a funny story that was, too) about her book comic/graphic novel 'Rooftops' in the context of the rest of her comic book career, and her plans for the future. Very exciting stuff.

Next 'Comic Spot', Thursday 29 May, will be with Philip Bentley of 'Word Balloons' and 'Passionate Nomads' fame, and Bruce Mutard, whose book comic 'The Sacrifice' was launched the night before last (see post below).

Ah, Melbourne! You're such a happening comic book town!

Photo of Jo, Bernard and John is kourtesy of Mandy Ord and her kamera.