Showing posts with label Amy Briese. Show all posts
Showing posts with label Amy Briese. Show all posts

Monday, August 16, 2010

Blandowski - week 1 ends, week 2 starts

Oh, that's right.

I forgot to say in the previous post that there is another element to Museum Victoria's 'The Art of Scientific Observation' regional tour, and that is at night, in pubs (sounds okay eh?), where we continue to celebrate The International Year of Biodiversity and National Science Week by hooking up with people in that part of Victoria who are doing work in the area of biodiversity. On Monday night last, in Ballarat, we met Emma and Janelle who work at Sovereign Hill's working farm, Narmbool.

Below, around the table, from left: Tim Sullivan Deputy CEO and Museums Director at Sovereign Hill; Emma and Janelle from Narmbool; Shane, a local teacher; and Amy Briese, my Week One travelling companion and fellow Museum Victoria person (she also works for Zoos Victoria at the Werribee Open Range Zoo). Emma and Janelle talked about the programs they offer at Narmbool, Shane talked about his experience incorporating animals into his classroom teaching, and Amy talked about her work at the zoo. My main contact with animals is with ones who are dead or extinct (one of the things I love about working at a museum) and all this talk about live animals and what they can teach live humans was amazing to me.


Okay so let's zip forward to Thursday where we drove from Mildura to the Swan Hill Regional Art Gallery where we we very soon met Barry, with his amazing Folio Society edition ofa book of plates by an early star of scientific illustration, Maria Sibylla Merian (April 2, 1647 – January 13, 1717)


which weighed about as much as I do. And I'm no featherweight. Beautiful, eh?


Here's our set-up in the gallery at Swan Hill, which is right next to the Murray River and the Pioneer Settlement.


As we drove away towards Bendigo, we passed Lake Boga, full after many years of dryness. It was significant for us because Blandowski stopped there in early 1857, on his way up to his famed camp Mondellimin, west of Mildura on the Murray. I use a drawing of a Crested Wedge Bill in the show, the original of which was drawn by Blandowski at Lake Boga, so it was great to see the lake looking so healthy.


And so full of bird life. Hello, maggie...


Ah, the open road. The McIvor Highway.


Ah, the Shamrock Hotel in Bendigo, and the view out of the window of the Billy Heffernan Suite by night...


...and by day...


And a view of the hotel itself, foregrounded by the building which is being made into a new socal history centre for Bendigo. (This drawing from the top of the Poppet Head tower in Rosalind (aka Fruit Bat) Park)


We set up in the Bendigo Art Gallery on Friday, and it is a grand building. In the foregound, drawing the magpie, is Margot, who works there and who was great. The painting behind the man's head is called 'Gentlemen..the Queen!' and features a lot of chaps in Edwardian red uniforms toasting their monarch. Work it into the show? You bet! (thanks to Georgie Meyer for pointing it out to me...)


Below, Amy and one of our great Bendigo illustrators.


Bendigo was our last stop last week, and yesterday Monday 16 August was our first day of Week #2. Below, setting up at the Kyabram Fauna Park.

On the left, Rhonda from Campaspe Shire who'd done a great job organising school groups to come along - from St. Patrick's Tongala in the morning (60 students), and Nanneella Estate Primary in the arvo (30 students). It was great to present the drawing program and the show to school groups - they were very enthusisatic!


On the right, that's David Holmes, my travelling companion for this week and a very very nice fellow.

Below: David going into a too-much-Blue-Castello-cheese-for-afternoon-tea catatonia, from which a cup of tea managed to rescue him. Outside Rooms 7 and 8 at the Echuca Hotel.


Last night, in a cellar at the Shamrock Hotel in Echuca, Nickee Freeman from the Department of Primary Industries gives a talk about Biodiversity and Land Management. David is later heard to mutter that it felt like we were part of a Resistance meeting...

C'est vrai, mon ami.

Wednesday, August 11, 2010

Sur le route mit Wilhelm



Ecce homo, my friends.

Here is the man.

The man, in this case, being Wilhelm von Blandowski (1822 - 1878, in Australia 1849 - 1859), who I am performing for a program called 'The Art of Scientific Observation'. This program has been developed by Museum Victoria to celebrate The International Year of Biodiversity and National Science Week and is travelling across country Victoria over the next three weeks.

The program has a drawing component, whereby we set out a bunch of drawing materials (pencils, crayons, pens, fineliners) and a whole bunch of museum natural history objects (birds, mammals, reptiles, shells, insects) and visitors can have a go at drawing them. We are at the gallery or art centre in question from 11am to 3pm, and at 11.30am and 1.30pm, I perform a 20 minute illustrated show, 'Wilhelm von Blandowski: a curious man'.

The article above is from Ballarat's 'The Courier', from Tuesday, reporting on the first show of the first day of the tour, at the Art Gallery of Ballarat, on Monday. The article was written by Pat Nolan and the picture taken by Craig Holloway (who made good on his promise NOT to use any of the shots where my moustache was dangling from my upper lip - thanks, Craig!).

One of the great things about visiting the galleries (two so far) has been checking out the exhibitions on display. On Monday I was GUTTED to realise that I had missed an exhibition called 'In Your Face! cartoons about politics and society 1760 - 2010' at the Art Gallery of Ballarat BY ONE DAY.

To console myself I bought the catologue, and what a show I missed! Gillrays! Hogarths! Cruikshanks! Tenniels! Gills! There's a cartoonist in there, Tom Carrington, who does work for the London and then Melbourne Punch, whose work is superb. And there's a bunch of brilliant Australian cartoonists, including Will Dyson, whose 'Anyhow it's cleansing' from 1925 for Melbourne Punch is below.


This guy looks a bit like Henry Lawson, no? And his cravat reads 'Labour Party', the implication being that a positive spin must be put on everything. Timely no?

The next picture is by S.T Gill (1818 - 1880), maybe the best known 'goldfields artist', who was also represented in the exhibition (although I don't know if this image was in it - this is from a postcard) 'The Unlucky Digger that Never Returned' has a desolate melancholy which I really like. There's an Eddie Campbell element to this picture. Yes? Yes.


Tuesday was an 'On The Road' day, Ballarat to Mildura, via Horsham, though grey skies and Mallee scrub.


At Ouyen, the Big Sheaf of Wheat.


Do three stalks make a sheaf?


Me and The Big Mallee Root, which is that massive dark thing that looks like poured concrete. Hectare after hectare of these things were ripped out of the ground so that wheat could be planted up here. This picture is for my dad, Salvatore, who is (still) a Mallee Boy. It was taken by Amy Briese, from the museum's Discovery Program, my travelling companion for this week and a lot of fun to be with.


The sandwich board outside the cafe in Ouyen when Amy and I had lunch yesterday. Nice cartooning and nice colours, Cowards!


Today, Wednesday, outside the Mildura Art Centre. The skies are all day permanent grey, and the winds are high. Last night there was a tornado in Moama. Are we in Kansas? I don't think so.


The Chaffey homestead 'Rio Vista', part of the Mildura Arts Centre. We set up in the drawing room, a lovely room, where Gemma and Joe from WIN TV came to shoot the second show of the day - we (Amy, Wilhelm and I) were the post-weather story on tonight's news!

After we packed up, we had a wander around Rio Vista and the galleries.



Hi, Amy.


When I have a top hat, I will also have a box for it.


The Mildura Arts Centre has a fine collection of works by Frank Brangwyn (1867 - 1956), including many working drawings and a quite overwhelmingly large picture, a study for a church mural back in England. The scale of the piece and the scale of the room are staggering.


Meanwhile, back in Rio Vista, the wood-lined smoking room. Ah. When I establish my Men's Club, the designer will need to visit Mildura to understand the aesthetic I'm after.

Don't worry, the comics gallery/library/atelier comes first. Once it's up and running, THEN the Men's Club.